There is a great choice of the very best fresh produce available along rue Cler.
Paris is famous for its many outdoor markets, and pretty much every arrondissement has at least one and there are supposedly around 80 such markets across the city. These are almost always temporary set-ups that operate a couple of mornings a week, and taken down by lunchtime. However, there are a couple of pedestrianised streets in Paris that are devoted to food, fresh produce and other treats, that trade every day, all day, as permanent markets. Rue Cler in the 7th arrondissement is one of these very special streets.
The Champs Elysees was one of Haussmann’s most notable achievements.
The Paris we know today has only existed, in large part, since the mid-19th century. Before then, much of the medieval city was a dark, overcrowded and unhealthy place. The wide, tree-lined boulevards and fine, creamy stone buildings we enjoy and admire today are mostly due to one man, Georges-Eugène Haussmann. The dramatic urban renovation program undertaken by Haussmann was under the orders of Napoleon lll, nephew of Napoleon Bonaparte, a visionary and idealist, who was determined to transform Paris into a modern city fit for the new industrial era.
The magnificent Pantheon is a Latin Quarter landmark.
As we’ve seen from our Part One exploration of the Latin Quarter, there’s enough to keep anyone occupied for many days, as well as taking time to simply sit and enjoy people-watching, and the atmosphere of the area in a local café. This Quartier also offers a wide selection of accommodation, as well as excellent public transport to take you anywhere across Paris, and beyond. We left our scrutiny of this fascinating neighbourhood at the Curie Museum, from where we can continue on our way.
A fountain in the middle of Place de la Contrascarpe.
From the gentle slopes of Montagne Sainte-Geneviève, spreading out from around the Pantheon, we head to the area around the rue Mouffetard, just a few minutes away. We can sit for a while and enjoy a drink on a terrace of one the numerous cafés surrounding Place de la Contrescarpe, with its circular fountain at the centre. This is a very popular meeting place for the entire neighbourhood, and at any hour of the day, every café is busy. From here, we stroll down the picturesque, cobbled rue Mouffetard, passing yet more cafes, one of the best ice-cream parlours in Paris, Gelateria Alberto, small boutiques, souvenir shops, and a very good bookshop, ‘L’Arbre du Voyageur’ (The Traveller’s Tree), on the corner of rue Ortolan. On the adjacent corner you will see a small water well dating from 1624, that still has a trickle of water spilling forth.
The Garde Republicaine’s entrance from Place Monge.
On the opposite corner to the bookshop is a huge stone building, the Garde Republicaine. This barracks of the Republican Guard was built in 1830 on the site of the convent of the Hospitalier Nuns of Our Lady of Mercy. We have never yet seen the huge timber doors facing onto rue Mouffetard open, and only occasionally the doors opening onto Place Monge. The most prominent Garde Republicaine facility is over on the Right Bank on Bvd Henri IV in the 4th arr. This too is on the site of a former convent, and houses a cavalry regiment, which is used for public security and official ceremonial events.
The Garde Republicaine cavalry regiment in full dress uniform at an official ceremony in Paris.
We’ve been thrilled to sometimes watch this regiment, wearing their finest dress uniforms, with the magnificent horses in their finest equipage, heading off to or returning from some official Presidential occasion.
The picturesque rue Mouffetard.
The rue Mouffetard pre-dates the Romans, and along with rue St Jacques, are regarded by historians as the oldest streets in Paris. Rue Mouffetard has had many names, and during the Roman era, it was called “Mont Cetardus” which refers to a hill close by. “Moufet” means ‘skunk’ in French, and for hundreds of years was a popular location for animal skinners, and “mofettes” related to the word meaning ‘odours of pestilence’ referring to the dreadful smells that emitted from the process of skinning and curing. Rue Mouffetard retains its medieval character, and often feels like we’ve stepped back in time. Luckily, the street escaped being included in the redevelopment works by Baron Haussmann in the 19th century.
Tourn’Bride is one of our favouite cafes in rue Mouffetard.
Nowadays, you will find many cafes and small bistros, some catering to a student budget, while others are well patronised by locals. We have a couple of regular favourites such as La Crete Greek restaurant, Au Petit Bistrot, run by a delightful Greek couple, and Tourn’Bride at no. 104, which is rather like a French version of a small, local pub, with excellent food at very reasonable prices, and where you’ll see many locals hanging out at any time of the day.
La Fontaine aux Vins, rue Mouffetard.
There are also any number of fresh food retailers, a couple of patisseries, specialty cheese shops, and some wonderful hand-made chocolate shops, including one recent arrival, that of the famous chef Alain Ducasse. There are 3 first rate wine shops—our favourite being La Fontaine aux Vins at no. 107, and a couple of small boutiques.
Sunday mornings in the rue Mouffetard.
At the end of the street is a lovely little 15th century medieval church, Église Saint Medard, that has a paved area in front of it where every Sunday morning, a small group of local musicians play traditional French songs, including, of course, the Edith Piaf repertoire. Locals dance with each other, and the small crowd gathered to watch are offered song sheets to sing along with the singer. Very convivial, and something set up for and by locals, not a touristy thing at all. We love it!
Tarik at Place Monge market sells irrisistible flavoured mustards and other condiments.
At the rear of rue Mouffetard is Place Monge, a pretty little square with shady trees, where one of the best outdoor markets in Paris takes place 3 mornings a week: Wednesdays, Fridays and Sundays. The Sunday market in particular sees people from all over the city come to shop. It’s mostly fresh food, but there are flower stalls and other vendors, including Tarik, a young Moroccan man with delicious, flavoured mustards, and Salaria, our Indian friend, whose pashminas and scarves we cannot resist. They have known us for years, and we always enjoy a chat and a catch-up with them.
La Grande Mosquee de Paris. Photo, Shutterstock
From here, I suggest you take a walk towards the nearby Jardin des Plantes, but before you reach there, looming towards you, you will see a 33m high cream minaret. This is La Grande Mosquée de Paris (the Great Mosque of Paris) on rue de Quatrefages where it meets rue Georges Desplas. This beautiful Art Deco Mosque was built by the French government after WW1 as a thank you to the North African (former) colonies of Algeria, Morocco and Tunisia who fought for France during the war and during WW2, the mosque hid nearly 2,000, mostly Jewish, Resistance fighters. As well as a vibrant place of worship, it is now an historic monument.
The courtyard garden and water feature of the Mosque
Visitors are welcome to enter, and you’ll see a beautiful courtyard garden, typical of those of the Middle East, especially those former French colonies of North Africa.
The delightful cafe at the Mosque.
Around the corner on rue Daubenton there is a delightful café/restaurant called ‘Aux Portes de l’Orient’ (At the Doors of the East) set in a pretty garden, where we like to go for lunch on a Sunday. Great food, with typical middle-eastern treats such as tajines and couscous, as well as pastries to die for! The décor features the beautiful tile-work typical of Morocco and Tunisia, and it’s the next best thing to a visit to those countries. Very popular with locals, and indeed, it was a local friend who told us about it some years ago.
The rose garden in the Jardin des Plantes.
Across the road from the mosque’s café on rue Geoffroy-Saint-Hilaire is one of the entrances into the Jardin des Plantes. This is the botanic gardens of Paris that covers around 24 hectares, with numerous greenhouses that create the biodiversity of a tropical rainforest, the flora of deserts and of New Caledonia. There is a lovely rose garden, an alpine garden, a collection of Japanese peonies and a large plant maze. The garden was established in 1635 by Louis XIII to train doctors and apothecaries. At that time, it was called the ‘Jardin Royal des Plantes Médicinales’, and open to the public as well as a place for the study of plants.
The Grand Gallery of Evolution is within the Jardin des Plantes
Within the Jardin des Plantes your attention will be caught be several monumental buildings of the Muséum National d’Histoire Naturelle. The Grande Galerie de l’Evolution presents the amazing history of biodiversity through 7,000 specimens of stuffed animals and skeletons under the enormous glass roof of the gallery. Normally, this type of museum isn’t something we seek out, but this one is absolutely fantastic, and we can highly recommend it, if you’re in the Jardin.
Jardin des Plantes Winter Light Show
During the Christmas period, from late November to end January, the Jardin des Plantes has a wonderful show in the evenings, once the sun has gone down, called the Festival of Lights. It’s an enchanting experience for kids and adults and takes the form of a moonlit stroll through the gardens illuminated by monumental, flowering plants and giant, fantastical animals.
Jardin des Plantes Winter Light Show.
One year, the subject was endangered species, and last year’s was called The Jungle of Illumination. At the time of writing, this year’s topic hadn’t yet been announced. Pre-booking tickets is essential to gain entry. We’ve seen a couple of these shows, and they are unforgettable—a real highlight of the festive season.
A red Panda at the zoo in the Jardin des Plantes
The Jardin is also the site of one of the world’s oldest zoos: the Ménagerie du Jardin des Plantes, created in 1794. The zoo is home to 150 species of animals, a third of which are threatened with extinction. See around 600 animals in a green setting, including an adorable red panda hidden in a bamboo forest, Nénette the orangutan—the star of the menagerie—and snow panthers with their magnificent fur. The Ménagerie participates in breeding programs and the reintroduction into the wild of endangered species such as the Arabian Oryx and the Goden Lion Tamarin.
The Musee de la Sculptre en Plein Air along the banks of the Seine.
On leaving the Jardin des Plantes via Place Valhubert, turn onto Quai Saint-Bernard until you reach the Musée de la Sculpture en Plein Air (outdoor sculpture museum) in Square Tino Rossi, between the Pont de Sully and the Pont d‘Austerlitz, which displays works by Brancusi, Cesar and Zadkine. You’ll also have a lovely view of the Ile Saint-Louis.
The Institut du Monde Arabe
At the end of Bvd St Germain, on the corner of rue des Fosses Saint-Bernard, is one of our favourite destinations in Paris, L’Institut du Monde Arabe, (the Arab World Institute). It’s a landmark building, designed by hot-shot French architect Jean Nouvel and inaugurated in 1987 by President Mitterrand.
Exhibit from the Silk Road to Samarkand exhibition at the Institut du Monde Arabe
One of their most important activities are outstanding exhibitions featuring aspects of the Arab world, whether it’s artefacts, historic or cultural events. We’ve seen some of the best exhibitions in the city here, such as the history of the Orient Express train service, that actually had a couple of original train carriages in the forecourt, which you could walk through. Seats had name tags attached of famous historic travellers, such as Graham Greene, Agatha Christie, and Mata Hari.
Exhibition poster at the Institut du Monde Arabe.
Last year’s major exhibition was about the Silk Road to Samarkand, which was stunning. This year, we saw a terrific exhibition about the history of perfume, looking at which plants are cultivated, the value to local economies with the export of products, the importance in religious practices of scents, including incense. Fascinating. We always check out the Institute’s website before we leave home.
The Arene de Lutece, off rue Monge
Paris also has its very own Roman arena, the Arènes de Lutèce, located at 49 rue Monge. This ancient theatre was constructed in the 1st century CE, and could once seat 15,000 people, and was also used as an amphitheatre to show gladiatorial combats. It’s regarded as among the most important ancient Roman remains in Paris. You can still see significant remnants of the stage and its nine niches, as well as the grilled cages in the wall. The stepped terraces are not original, but historians believe that 41 arched openings once punctuated the façade. When the city was sacked during the barbarian raids of 275 CE, some of the structure’s stone work was used to reinforce the city’s defences around the Ile de la Cité. Lead by Victor Hugo and a few other intellectuals, a preservation committee called La Société des Amis des Arènes undertook to save the archaeological treasure. The site is freely accessible, so don’t hesitate to take a look.
Paradis Latin Cabaret
As a change of scene from history, culture and a little shopping, it comes as something of a surprise to learn that the Latin Quarter is home to the oldest cabaret in Paris, just 500m from Notre Dame. Paradis Latin, at 28 rue du Cardinal Lemoine, dates from 1889, although its history goes back to the beginning of the 19th century, during the reign of Napoleon. The place was first and foremost a theatre where bourgeois, intellectuals, merchants, workers and students met. You could also come across Balzac, Alexandre Dumas and Prosper Mérimée there, but it was not until Gustave Eiffel that the Paradis Latin became an essential place of fascination and nocturnal distractions. Today it is hard to imagine Paris without Paradis Latin with its legendary Parisian cabaret, whose festive and burlesque shows have endured through the ages.
Restaurant La Tour d’Argent has spectacular views towards Notre Dame.
A little further along rue du Cardinal Lemoine, on the corner of Quai de la Tournelle, is one of the most famous restaurants in Paris, Le Tour d’Argent. Said to have the largest private wine cellar in Europe, it’s famous for its numerous duck dishes. As a reminder of this, little crystal ducks decorate each table, and these are available for purchase in the restaurant’s gift shop. Haute cuisine at its finest, and some say, most extravagant, it’s a favourite with the top echelons of Parisian society, and the international glitterati, although its atmosphere is discreet elegance rather than flashy. Make sure you have plenty of space available on your credit card, if you wish to dine there. Very elegant décor, and wear your Sunday best.
There are so many attractions to explore in the Latin Quarter, but simply strolling the streets, soaking up the history, the atmosphere and surprises of this ancient part of the city, is one of the joys of a visit to the City of Light.
Beautiful, fresh produce at the Place Monge market.
Looking across to the Latin Quarter from the top of Notre Dame.
A city as ancient and as large as Paris has an almost overwhelming number of sights to take in. Fortunately, one advantage that Paris has, is that so many of its attractions are within the Périphérique, or ring-road, that defines the arrondissements, or districts, from the areas outside that. As well, Paris has a wonderful, and very accessible, public transport system that makes exploring the city practical and efficient. If you had to nominate one arrondissement that has a concentration, and indeed a richness, of treasures, it would surely be the 5th arrondissement, a large part of which is the Latin Quarter. It has long been one of our favourite areas of Paris, and we are still exploring its many attractions as they evolve along with the city itself.
The Latin Quarter at sunset looking towards the Pantheon.
In the area we now know as the 5th arrondissement in Paris, the Latin Quarter has been inhabited for over 2,000 years, with some streets pre-dating the Romans. The area takes its name from the Latin language that was taught and spoken at the Sorbonne University, and its cobblestone streets remind us of what the medieval city of Paris looked like when those early scholars roamed the streets. Today, the Latin Quarter retains much of its ancient feel, as it was largely spared the sweeping changes and renovations of Baron Haussmann.
Browsing the bouqinistes’ stalls along the Seine in the Latin Quarter.
A good place to start exploring the Latin Quarter is right down by the river. Spend a few moments taking in the massive restoration work being carried out on Notre Dame cathedral, which, at least from the outside, is starting to look like how it was before the catastrophic fire of April 2019. It is on schedule to re-open on 08 December 2024, which seemed like an impossibility even a year or so ago. The roadway along the Seine, lined with bouquinistes’ stalls on the footpath, always has crowds gathered watching the activity of the construction workers, who seem like so many ants, and the huge cranes manoeuvring materials across the height of the cathedral. One of the best spots to look at the cathedral is along the banks of the river, on the Left Bank side, back a couple of blocks, looking at the rear.
A warm evening spent relaxing down by the Seine.
This is also a great location to take a picnic dinner on a warm evening, with goodies bought from one of the local markets and the wonderful patisserie, owned by restaurant La Tour d’Argent, on the corner of Quai de la Tournelle and rue Cardinal Lemoine. You’ll be joining plenty of locals doing the same thing, and it’s all very peaceful and convivial.
Shakespeare & Co. bookshop and its antiquarian bookshop nextdoor.
Across the street from Notre Dame is a pretty little park, Square René Viviani, said to have the oldest tree in Paris, a robinia planted in 1601. One side of the park faces onto a small pedestrian street, the rue de la Bucherie, where one of our favourite landmarks, Shakespeare and Company is located. The building was originally a monastery, La Maison du Mustier. It opened as a bookshop called Le Mistral in 1951 by George Whitman who later changed its name to Shakespeare & Co. This change was in honour of a bookseller Whitman admired, Sylvia Beach, who founded the original Shakespeare & Co. in 1919 at 12, rue de l’Odeon, where it was a favourite haunt of the ex-pat intellectuals of the day, such as James Joyce, Gertrude Stein, T. S. Eliot, and Ezra Pound, along with countless of their friends.
Shakespeare & Co. is a treasure trove of great books.
It’s long been one of the city’s most beloved institutions for English speakers. We always pay a visit when we’re in town, and I cannot recall a time when we’ve come away empty-handed. We find books there that we never see anywhere else. The bookshop quickly became a centre for expat writers such as Allen Ginsberg, Anaïs Nin, Henry Miller, Lawence Durrell, James Baldwin and numerous others. This tradition still lives on, with regular talks and readings by writers such as Martin Amis and Alistair Horne among others. The shop has second-hand as well as new books, and next door is a separate antiquarian bookshop, that has many enticing titles you long to take home with you. The bookshop also owns the café on the corner. A visit to the bookshop as early as you can (it opens at 10.00am) is highly recommended, as the crowds outside really build up as the day progresses.
The 12th century St Julien-le-Pauvre.
In the small side street that runs along the left-hand side of Shakespeare & Co., rue Saint-Julien-le-Pauvre, are two beautiful little medieval churches. St Julien-le-Pauvre, the oldest church in Paris, was built in the 12th century on the site of a basilica destroyed by the Vikings. This church and its near neighbour, the 13th century Saint Severin, regularly host prestigious concerts by small chamber groups and individual artists at very modest prices. We often go to these and have dinner nearby at one of the many local bistros. The nearby rue Galande is lined with medieval houses At number 42, which houses Studio Garlande, an art-house cinema, you can see a sculpted bas-relief depicting Saint Julian and his wife conveying Christ in a boat. Dating back to the 14th century, it’s one of the oldest in Paris.
The Musee de Cluny.
Walking up rue St Jacques to Bvd. St Germain, will take you to the Musée de Cluny. This is the national museum of the Middle Ages, and it stands on the site of Gallo-Roman thermal baths, and are considered amongst the best preserved monumental ancient vestiges in Northern Europe. Within the recently renovated museum you can visit the spectacular frigidarium of the original baths, with its 14 metre high vaults, which now houses artifacts dating as far back as the Romanisation of the city of the Parisii, such as the famous Boatman Pillar from the 1st century. This pillar was offered to the emperor Tiberius by the boatmen of Paris.
One of the Lady and the Unicorn tapestries in the Musee de Cluny.
The adjoining Hotel de Cluny was once the medieval residence of the abbots of Cluny Abbey, a jewel of the flamboyant Gothic style. It’s a rare remaining example of civic architecture of medieval Paris, first erected in 1330 and partly rebuilt in the 15th century. The museum houses over 23,000 items of which only about 2,300 are able to be exhibited at any one time. Of these, there are around 1,600 masterpieces of medieval art presented on a chronological basis, that spans more than 1,000 years of history. Among the many jewels of the museum’s collections are the famous tapestries ‘The Lady and the Unicorn’. The medieval-inspired garden adjoining the museum is a pleasant place to take a short break. Before you leave, have a browse through the excellent book and gift shop.
The delightful outdoor market at Place Maubert takes place 3 mornings a week.
A few minutes’ stroll along Bvd. St Germain will take you to Place Maubert, where metro Maubert Mutualité (Line 10) is located. This square is the site of a lovely outdoor market held 3 mornings a week: Tuesdays, Thursdays and Saturdays. It’s mostly food, but like most other markets, there are a few non-food vendors, two of whom we know well. Tarik is a young Moroccan man who sells the most delectable, flavoured mustards, vinegars and similar products. He has little pots of mustard for around 2 Euros each, which make lovely, easy-to-carry gifts.
Salaria sells exquisite pashminas and shawls at the Place Monge market.
The other vendor we like to visit is Salaria, an Indian man who has the best range of pashminas and scarves we know of, and at prices I can’t beat even in India. Both Tarik and Salaria always greet us warmly, and enjoy having a chat and quick catch-up. They, and a number of other vendors here, also have stalls at the Place Monge market, which is held on the alternate 3 mornings a week to that of Place Maubert.
A conference space in the College des Bernadins.
Just near Place Maubert, at 20, rue de Poissy, which runs off Bvd St Germain, is an impressive, large stone medieval building, the Collège des Bernadins. A former Cistercian college of the University of Paris, it was founded by an abbot of Clairvaux and built from 1248. After a massive renovation in 2008, it offers a program of public conferences, symposia, theological studies centre, exhibitions, and concerts. Aside from attending events, the College also runs guided tours every day at 4.00pm.
The fountain at Place Saint-Michel.
Back at Shakespeare & Co., if you choose to walk up Bvd. Saint-Michel, you will first come to Place Saint-Michel, on the corner of the boulevard and rue Saint-André des Arts. This square is often the scene of improvised music concerts and dance performances. The monumental Saint-Michel fountain features the Archangel Michel (Michael) defeating Evil and is framed by a large triumphal arch and pink marble columns intended to harmonise with the architecture of the buildings surrounding the square. The fountain was built during the reign of Napoleon lll as part of Baron Haussmann’s urban planning, and was constructed in memory of the former Saint-Michel chapel on Ile de la Cité. We tend to avoid the network of little streets off to the left, such as rue de la Harpe and rue de la Huchette, which are full of very ordinary little cafes and restaurants offering “authentic French cuisine”, with people trying to thrust a menu at you as you pass. You can do better almost anywhere else!
Place de la Sorbonne.
Continuing up Bvd. Saint-Michel, from the tranquil Place de la Sorbonne, on your left you can admire the famous Sorbonne building, commissioned by Cardinal Richelieu in the 17th century and designed by the architect Jacques Lemercier.
A 17th century engraving of the Sorbonne.
Founded in 1253 by Pierre de Sorbon, chaplain and confessor of King Louis lX, known as Saint-Louis, the Sorbonne was originally a theological college for poor students. It was integrated into the University of Paris, where arts, law and medicine were also taught, and was so prestigious that its name became that of the entire university.
The Pantheon is a very prominent landmark visible from many areas of the city.
Walking up either Bvd St Michel or rue St Jacques, you will see the imposing dome of the Pantheon in the distance, sitting atop the Montagne Sainte-Geneviève. Resembling a Greek or Roman Temple, it was built between 1758 and 1790 at the behest of King Louis XV, and was intended as a church dedicated to Saint Geneviève, the patron saint of Paris, whose relics were to be housed within it. The architect was Jacques-Germain Soufflot, who had studied classical architecture in Rome, and his design was clearly influenced by the work of Bramante, whom he had studied in Italy. The building is 110m long by 84 m. wide, and 83m high, with a crypt beneath of the same size.
The magnificent Pantheon.
By the time construction was finished, the Revolution had started. The National Constituent Assembly voted in 1791 to transform the church into a mausoleum for the remains of distinguished French citizens, its model being the Pantheon in Rome, which had been used for this purpose since the 17th century. The building was twice restored to church usage during the 19th century, firstly under Napoleon, until the Third Republic finally decreed the building’s exclusive use as a mausoleum in 1881.
Tomb and statue of Voltaire in the Pantheon.
The placement of the remains of Victor Hugo into the crypt in 1885 was its first entombment in over 50 years. From then on, great figures of the nation have been interred in the crypt such as Voltaire, Rousseau, Emile Zola, Alexandre Dumas, Louis Braille, Pierre and Marie Curie, the navigator Louis Antoine de Bougainville, Leon Gambetta, Jean Jaurès, André Malraux, and lately, Josephine Baker, in acknowledgement of her enormous courage as a heroine of the Resistance. She was the first black woman to receive the honour. Step inside to see the murals, and one of the most interesting things there is Foucault’s pendulum suspended from the ceiling that he installed to demonstrate the rotation of the earth. If you have some energy left, climb the stairs to the upper part of the dome. From here you will have a spectacular view of Paris and its landmarks.
The Mairie of the 5th arrondissement is across the square from the Pantheon
With its grand architectural presence, the Pantheon is the centrepiece of a large open space surrounded by a fascinating group of imposing buildings for the Faculty of Law and the Hotel de Ville of the 5th arrondissement. The spectacular church of Saint-Étienne-du-Mont and the prestigious Henry IV High School with its prominent tower form the backdrop.
Marie Curie’s laboratory, Musee Curie.
A stone’s throw from the Pantheon is the Curie Museum at no. 1, rue Pierre et Marie Curie. Located in the former laboratory of Marie Curie, the museum retraces the different states of the discoveries of the Curies—a family with five Nobel Prizes—and their enormous scientific achievements. Visitors will have a first-hand glimpse of the equipment they used and objects of memorabilia relating to them. Entry to the museum is free.
A typical sidewalk cafe in the Latin Quarter.
As we’ve seen so far, this neighbourhood is richly endowed with many treasures you’ll wish to see, from some of the city’s greatest monuments, to ancient cobblestone streets, vibrant markets, classic squares and pretty streets. There are any number of cafes and restaurants to rest and enjoy your surroundings before continuing your exploration. There’s simply so much to discover in the Latin Quarter, so I will talk about more of the attractions and sights of this vibrant area in the next blog story. Bonne promenade!
Masses of rose bushes were planted in front of Monet’s house.
I am often asked by friends and colleagues for suggestions for day trips out of Paris. There are so many destinations and great things to see and do, it’s a case of, “well, what are you interested in” or “how many trips do you want to do?” One destination that comes up more than most is Monet’s house and garden at Giverny. Even for those who aren’t necessarily keen gardeners, Giverny has the well-deserved reputation of being one of the loveliest experiences of a trip to France. Although many people take an organised tour from Paris, it is very doable under your own steam. The upside of doing it yourself is that you can spend as much time as you wish, sitting quietly on a seat in the garden or strolling at your own pace, which feels like taking a walk through a Monet painting.
‘Monet Painting en Plein Air’ by his friend John Singer Sargent. It’s believed that the woman is Monet’s wife, Alice.
Claude Monet, one of the founders of Impressionism, chose not to attend the École des Beaux-Arts and instead, learned from the numerous established artists with whom he socialised. Eugene Boudin, in particular, was a great influence, especially as he introduced Monet to the then-unique idea of painting in the open air, that Monet adopted for the rest of his life.
Monet’s house was originally called The House of the Cider Press. Photo, shutterstock
When he was finally financially stable after years of struggle, Monet purchased a house just outside the town of Vernon, that he’d first spied from a train window. He moved there with his family to Giverny in 1883. The pink stucco house, that typical of the era had grey shutters when he bought it. Monet soon painted them a colour that the local villagers called “Monet green.” Originally, the house was called the House of the Cider Press, since an apple press located on the little square nearby gave the location its name. The house was much smaller than Monet’s needs, and he enlarged it on both sides, so it’s now 40m long although still only 5m deep. It’s easy to spot the new wings, as the windows are broader than those of the central part of the building.
Monet’s boat and numerous varieties of lilies in the pond.
Ten years after his arrival in 1893, Monet purchased a piece of marshland adjacent to his home to build a water garden, and much to his neighbours’ chagrin, even diverted a stream, the Ru, an arm of the local Epte river, to fill his pond and support the water lilies that would flourish here. The reason for the locals’ objections was that they were afraid Monet’s strange plants would poison the water. The first lilies arrived in 1894, and Monet nurtured and added to the plants and trees that surrounded the pond and his property, which fuelled his impressionist vision for over 30 years.
Bright flowers are in abudance in the Giverny garden.
To say that Monet was obsessed by plants and flowers is something of an understatement. He employed a team of 6 gardeners, and spent the extraordinary sum of 40,000 francs per year on his obsession. By the end of the 19th century, Monet focused his art almost solely on his water garden and envisioned a series of large canvases that would cover the walls and envelope the viewer, “giving the illusion of an endless whole, of a wave with no horizon and no bank.” From the time he established the garden until his death in 1926, Monet produced nearly 300 magical canvases on the theme of the water lily pond and the surrounding gardens.
One of the 8 panels of Monet’s water lily series in l’Orangerie, Paris
When you’re in Paris, if you’ve not seen them before, head to the Musée de l’Orangerie at the end of the Tuileries overlooking Place de la Concorde, to see the 8 enormous panels of the water lilies series, ‘Les Nymphéas’. These breathtaking paintings capture Monet’s representation of the shifting light and colour at different times of the day, and looking at them draws you in, making you feel as though you are immersed in the pond itself. It adds another dimension to a visit to his garden and lily pond at Giverny. He famously remarked that “My only virtue is to have painted directly in front of nature while trying to render the impressions made on me by the most fleeting effects.”
The lily pond in the garden. Photo, shutterstock
There are two parts to Monet’s garden. A flower garden, called Clos Normand, in front of the house, and a Japanese-inspired water garden on the other side of the road. The two parts of the garden contrast and complement each other.
Part of the original external walls of Monet’s house and garden.
When Monet and his family first settled there, the piece of land sloping gently down from the house to the road was planted with an orchard and enclosed by high stone walls. A central alley bordered with pines separated it into two parts. Monet had the pines cut down, keeping only the two yew trees closest to the house to please his wife Alice. From this Clos Normand of about one hectare, Monet made a garden full of perspectives, symmetries and colours.
The garden in mid June.
The garden is divided into flowerbeds, where clumps of flowers of differing heights create volume. Fruit trees or ornamental trees dominate the climbing roses, the long-stemmed hollyhocks and the coloured banks of annuals. Monet mixed the simplest flowers, such as daisies and poppies, with the rarest varieties. The central alley is crossed by iron arches on which climbing roses grow. Other rose bushes cover the balustrade along the house.
The main alley in late summer, looking towards the house.
At the end of summer, nasturtiums cover the soil in the central alley. Monet did not like organised or constrained gardens. He grouped flowers according to their colours and left them to grow freely. With the passing years, he developed a passion for botany, exchanging plants and cuttings with his friends Clemenceau and Caillebotte. Always on the look-out for rare varieties, he bought young plants at great expense. “All my money goes into my garden” he admitted, but added “I am in raptures.”
The Japanese bridge, covered in purple wisteria.
In the water garden you’ll find the famous Japanese bridge, painted the “Monet green” colour, covered in wisteria. There are weeping willows dipping into the water, bamboo, ferns, Japanese maples, rhododendrons, and above all, the nymphéas (water lilies), that bloom all summer long. The white water lilies are local to France, while the yellow, blue and a white that turns pink as it ages, are from South America and Egypt.
White wisteria over the Japanese bridge.
The pond and the surrounding plants form an enclosure separated from the surrounding countryside. This bridge is the second one. Monet had the first one built for him by local craftsmen. It had fallen into decay and was too damaged to be saved by the time the garden underwent its massive restoration, which took ten years from 1977. The wisterias however are those that were planted by Monet. From 1892 until his death in 1926, Monet produced nearly 300 magical canvases on the theme of the water lily pond and the surrounding gardens.
The vivid blue kitchen.
When you reluctantly leave the pond area, you will wander past Monet’s glorious gardens to his home. Once inside, visitors can visit each room. At one end of the house, Monet designed a large kitchen, suitable to prepare the meals of a ten person family that entertained a lot. Above the kitchen, Monet’s four step-daughters had their bedrooms, while his two sons and his two step-sons slept in the attic. The house has three entrances. The left one leads to Monet’s apartment, the middle one is the main entrance, and the right is for domestic use and leads to the kitchen.
The blue salon.
Needless to say, Monet chose all the colours in the house. The best place to start your tour is probably the little blue salon, or sitting-room, a favourite place where Alice Hoschedé-Monet used to like to sit with her children. The stunning blues of the sitting-room, on the walls and on the furniture, harmonise with the Japanese woodblocks of Hokusai, Hiroshige and Utamaro that Monet collected passionately for 50 years. He ultimately owned 231 of them, and often said he loved having them around, as he found them inspiring. On the floor, cement tiles were very fashionable in Monet’s day.
The sunny yellow dining room saw many convivial dinners with family and friends.
The bright and cheery yellow dining room has Monet’s collection of blue and white porcelain on display, along with some more of his collection of Japanese prints. Sadly, these prints have lost some of their colour after being displayed in the light for so long, but we can imagine this room in Monet’s day, filled with colour, good food and wine, chatter and conversation. The blue and white theme continues into the kitchen with Delft wall tiles that are the perfect backdrop to show off Monet’s own gleaming collection of copper pots. Nearby is a small room that Monet fitted out as a pantry. It was unheated to enable the storage of food, especially eggs. It would seem lots of eggs were eaten, as the boxes hanging on the wall could store 116 eggs.
Monet’s first studio was later converted into a sitting-room.
On the ground floor is Monet’s first studio. This later became his smoking room where he welcomed his visitors, art dealers, critics and collectors. On the walls, reproductions of his works evoke the atmosphere of Monet’s times. He liked to keep a record of each step of his career. Many of the originals that were kept in this room are now in the Musée Marmottan-Monet in Paris, one of our absolute favourites in the city. To read more about this beautiful museum, check out a blog story I wrote not so long ago: https://parisplusplus.com/paris/the-musee-marmottan-monet-a-little-known-gem-in-paris/ As with the rest of the house, the furniture and the objects are still exactly the same, which gives the house a great sense of authenticity.
Claude Monet’s bedroom.
Up a steep staircase leads to Monet’s bedroom. He slept in a very simple bed, and it’s the same bed where he died on 05 December 1926. He had gorgeous views onto the garden from the room’s 3 windows. He hung paintings by his Impressionist friends and colleagues such as Cézanne, Renoir, Pissarro, Sisley, Morisot, Boudin, Manet and Signac.
Blanche’s bedroom.
As was typical of the upper middle class at the time, Monet and his wife Alice did not share a bedroom. Her very simple room is decorated with Japanese woodblocks featuring female characters. It is one of the few rooms that has a window on the street side of the house. The final room upstairs is the bedroom of Blanche Hoschedé-Monet, Alice’s daughter with her first husband, who lived at Giverny until her death in 1947. She was also Monet’s daughter-in-law, having married his eldest son Jean.
Monet’s 2nd studio, where he painted the water lilies series, is now the gift shop.
Monet’s large second studio, the so-called Water Lilies Studio was home to these vast paintings. Although it’s something of a pity that this huge space of over 300 sq.m. didn’t remain in its original state, it’s now the official gift shop selling a very good range of gifts relating to the Impressionist’s work, including books, scarves, tableware, posters, seeds and more. You won’t leave empty-handed.
Monet working on the water lilies series in his studio. This is now the gift shop.
When Monet died in 1926 of lung cancer, the entire estate passed to his son Michel. As he never spent time in Giverny, it was left to Blanche Hoschedé-Monet, Jean’s widow, to look after the garden with the help of the former head gardener. After Blanche died in 1947, the garden was left untended. Michel Monet died heirless in a car crash in 1966. He had bequeathed the estate to the Académie des Beaux-arts.
Claude Monet and his family are buried in the Giverny village cemetery.
From 1977 onwards, Gerald Van der Kemp, then curator at the Palace of Versailles, played a key role in the restoration of the neglected house and gardens, which were by then in a sad, desolate state. He and his wife Florence appealed to American donors, who donated almost all of the $7 million needed for the restoration work, through the Versailles Foundation-Giverny Inc., and from then on they dedicated themselves to its restoration. Substantial work needed to be done. Floors and ceiling beams were rotting, furniture was broken and covered with mould, a staircase had already collapsed, windows were shattered, the garden almost in ruins and the Japanese bridge was rotting in black, clogged water. The Fondation Claude Monet was created in 1980 as the estate was declared public.
Restaurant Nympheas is across the road from the house.
Before you go, head across the road to Restaurant Nympheas for a little refreshment. Also note that an easy stroll from the house is the village churchyard where Monet is buried. Also in the village is the Museum of Impressionism, showcasing work from Impressionist artists from around the world. However, if your time is short, perhaps pay a visit to the Musée Marmottan-Monet, or Musée ‘Orsay instead. The village also has plenty of cafes and restaurants.
Monet in his beautiful garden at Giverny.
Exploring the beautiful garden and wandering through the house, the visitor gains a real sense of personal ownership by the artist, his family and the friends who visited regularly. It is the home of a well-off painter, yet not in the least ostentatious or pretentious. A visit to Monet’s house and garden is a satisfying, enjoyable experience that stays with the visitor long after departure—a sentiment that cannot be felt in even the best museum.
Irises in full bloom in the garden.
Getting to Giverny from Paris is easy. From Gare St Lazare (just behind Au Printemps dept. store), take the train to Vernon-Giverny, which depart every hour or so. Note: you are taking a train that is going to Rouen, with stops along the way, so when looking at the indicator board at the railway station, look for departures to Rouen, not Vernon. The journey takes around 50 mins. At Vernon (along with many other people aiming to go where you’re headed), in front of the station are the shuttle (navette) buses to Giverny that are co-ordinated with the train schedule. It is a little too far for comfort to walk there from the station. When the bus arrives at Giverny, check the posted timetable at the bus stop for return times—these are also coordinated with the train timetable.
The main garden, Clos Normand, in front of the house.
The house and garden are open daily from 09.30 – 6.00pm. Purchase your ticket for Monet’s house and garden in advance. Cost is around 12 Euros. It is a huge waste of time to try and buy it once you’re there, and you may miss out. If you do a quick Google search, you’ll find various websites that sell tickets, such as Ticketmaster and fnac, as well as those companies that offer bus tours from Paris.
“My garden is my most beautiful masterpiece.” Claude Monet