ATELIER DES LUMIÈRES – THE NEW DIGITAL ART CENTRE IN PARIS

Photo, Paris + Plus

An exciting new venue for the arts opened in Paris in mid April 2018.  Located in the former Plichon cast-iron foundry built in 1835, it has over 3,000 sq. metres of surface area and walls up to 10 metres high.  It took two years to prepare the building for its new life as the city’s most innovative space for presenting art, using all the techniques of the digital revolution.

Photo, Paris + Plus

Until now, there was nothing like this type of art space in Paris.  Located in the 11th arrondissement, the addition of the Atelier des Lumières is a perfect fit into this vibrant neighbourhood that already had many cultural venues such as theatres, concert halls, galleries and more.

 

Photo, Paris + Plus

The organisation behind the Atelier is Culturespaces, who have been presenting monumental immersive exhibitions since 2012 at another of their venues, the Carrières de Lumières in Les Baux-de-Provence, which has attracted over 2.7 million visitors over 5 years.

 

Photo, Paris + Plus

The inclusion of the word “lumières” (light) in the name of the Atelier and that of the Carrières, reflects the whole essence that these projects represent, to create an intense, immersive experience for the visitor, both through images and with music.

 

Photo, Paris + Plus

On our visit, the audience was across all age groups and profiles, ranging from those who probably regularly attend art galleries and are already familiar with the artist’s works, people who perhaps would never go to a traditional art museum, through to very small children, who were entranced with wonder.

 

Photo, Paris + Plus

But whatever the visitors’ individual experience with art galleries might have been, everyone was equally awe-struck and spell-bound by the whole presentation.

 

We could only be impressed by the tremendous effect the production appeared to have on children.  What a fantastic way to be introduced to pictorial art in an innovative, exploratory and way, without the usual intimidating strictures on quiet, respectful, passive behaviour appropriate to traditional art museums—no “look, but don’t touch” here!

Photo, Paris + Plus

With a digital approach, Culturespaces has avoided the problem of curating exhibitions that involve major historical artworks that are often too fragile to be moved.  The idea of “immersive” art is to step outside the traditional, physical presence of a work into an entirely new form of presentation of artistic masterpieces, through the use of digital tools.

The digitised images projected onto huge surfaces are not static, but move, surround and cover every surface, (including the audience), which at the same time is reinforced by a brilliant musical score.  The Klimt images were synched with music ranging from Wagner, Beethoven, Puccini to Philip Glass.

This exhibition covers 100 years of paintings, through the luminous, vivid works of Gustav Klimt and his contemporaries such as Egon Schiele and other Art Nouveau artists at the time of the establishment of the Viennese Secession movement, whose motto was “To every age its art. To every art its freedom”.  More than 200 works by Klimt and Schiele, and over 100 photographs and graphic elements were used during the 30 minute programme.

Photo, Paris + Plus

For a totally new, utterly contemporary exploration and experience of art, don’t miss this extraordinary alliance of great art with the latest in digital technology–a new type of artistic creation for the 21st century.

 

Comments (3)

  • Thank you.
    We also visited the exhibition a few days ago.

    From someone who had a loved but bad reproduction of ”The Kiss” on their bedroom wall in the seventies ……
    What a feast it is .
    And the commentary is spot on!!!

    • Hi Sandy, It’s amazing! We go to a lot of exhibitions of varying kinds and I can truly say we’ve never seen anything like it. We were entranced (as was everyone else) and stayed around for a second showing–no-one wanted to leave. As they only let a max. no. in at a time, it’s another good case for booking a pre-timed ticket, as the waiting queue takes ages to move. Cheers, Cheryl

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